Morrissey’s My Love, I’d Do Anything for You dismantles the illusion of freedom, exposing ideology as a cage we mistake for choice.
Morrissey’s Irish Blood, English Heart rejects both imperial nostalgia and national guilt, searching for an identity beyond left vs. right.
Morrissey’s The Edges Are No Longer Parallel marks his rejection of political hope, mirroring Žižek’s critique of ideological entrapment.
Morrissey’s I Know It’s Gonna Happen Someday captures hope before its co-optation by New Labour—an optimism later reduced to branding.
Morrissey’s We’ll Let You Know mourns a lost Britain, where real bonds fade and nationalism becomes a desperate substitute for belonging.
Morrissey’s ‘Glamorous Glue’ isn’t just a lament for England—it’s an anti-capitalist critique of culture, alienation, and the death of real identity.
Morrissey’s Margaret on the Guillotine isn’t just anti-Thatcher—it’s a radical rejection of neoliberal Britain.